“Artificial Intelligence takes over Edmonton improv show at Citadel“, by Emily Mertz for Global News Canada, 17 January 2019.
“A Robot Walks Into a Bar. But Can It Do Improv Comedy?“, by Alex Marshall for the New York Times, 8 August 2018.
“So a Computer Walks Into a Bar“, by James Geary for the Wall Street Journal, 21 September 2018.
“Improbotics: Bringing Machine Intelligence Into Improvised Theatre“, by Ingrid Fadelli for Tech Xplore, 20 September 2018.
“AI tries bad improv to trick people into thinking it is human“, by Frank Swain for The New Scientist, 14 September 2018.
“Hello World Canada: The Rise of AI“, by Ashlee Vance for Bloomberg, shown on 23 May 2018.
“Robot’s terrible jokes are a new test of machine intelligence“, by Douglas Heaven for The New Scientist, 7 December 2017.
“A.L.Ex the chatbot is learning to be human by doing improv comedy“, by Danny Paez for Inverse, 1 December 2017.
5 star ***** rating in “Improv at Camden Fringe – Preview Review”, by The Phoenix Remix, July 2019. “If I was Introduced to a show like this as a kid I would have definitely paid more attention to science class […] it is phenomenal to see just how much it has actually developed as a concept. It is engaging, it is like nothing else out there on the improv scene meaning that it is unique. To me, it has an essence of a Philip K. Dick novel and that is hauntingly beautiful and nerve-racking at the same time. GO SEE THIS SHOW.”
“AI Art Online”, by Luba Elliott, December 2018. AI Art Online is a collection of art, music and design created using machine learning, submitted to the NeurIPS Workshop on Machine Learning for Creativity and Design. The online gallery was curated by Luba Elliott.